I Know Why the Caged Bird Sings Essay

I Know why the Caged biddy Sings Inappropriate Tool for School In todays society, to a greater extent and more contradictory squ atomic number 18 is becoming acceptable. Children argon becoming more comfortable with bounteous run-in, corrupt movies, and offensive al-Qurans as they are exposed to this material more frequently. The age they begin to learn about violence, drugs, and sex is lower than ever before. Todays generation seems to be more experienced and conditioned about these shockingly crude things than most adults Parents stack not stop this maturing all together however, they can slow it down by monitoring their children. It is a parents right to know what their child is learning, in case it goes against their familys views. A parent should be completely comfortable with what their child is creationness taught in school.I Know Why the Caged domestic fowl Sings is a support that most parents do not feel comfortable with. Due to many inappropriate strokes and la nguage, this obtain has been frequently challenged by parents and authority, being the third most challenged book in the 1930s and 1990s (Baldassarro). These shocking passages could breach and hurt some(a) children however, the book does have some redeeming qualitiesif the reader is mature enough to hold and understand them. Therefore, I Know Why the Caged Bird Sings should be allowed in libraries for those some who can really appreciate its merit, but should be restricted because it is not appropriate for all children.I Know Why the Caged Bird Sings has a legal history as it is frequently challenged and therefore should be restricted. The books graphic depiction of childhood rape, racialism, and knowledgeableity has caused it to be challenged or illegalise in many schools and libraries. I Know Why the Caged Bird Sings has had thirty-nine public challenges or bans since 1983 (Baldassarro). For example, in Kansas parents were uncomfortable with the book and attempted to ban i t found on the vulgar language, sexual explicitness, and violent imagery that is gratuitously employed (Baldassarro). It was challenged for being on a Maryland high school reading name in 2001 because of its sexual content and foul language it was banned for language and being too explicit in the description of rape and other sexual abuse in 2002 It was challenged in 2003 as required reading in Montana due to sexual exploration by teenagers, rape and homosexuality and finally, it was challenged inVirginia school libraries by the group Parents Against Bad Books in Schools for profanity and descriptions of drug abuse, sexually explicit conduct and torture.2005 resulted in a banning due to racism, homosexuality, sexual content, offensive language and being unsuitable for the age group (Baldassarro). With so many challenges and bans, one can see how controversial I Know Why the Caged Bird Sings is. This book has been challenged for years, al personal manners offending parents as they find the material unacceptable. People usually only take the time to challenge a book if they feel strongly about its content. Going to court takes a lot of time and effort and obviously these parents are precise uncomfortable with their children being exposed to this material. Therefore, due to its history in court, I Know Why the Caged Bird Sings is not appropriate for children and should be restricted in schools. I Know Why the Caged Bird Sings should be restricted because it contains many inappropriate scenes and a lot of crude language. For example, the main character, Maya, is referred to as a pretentious small-minded bitch in one of the opening scenes.There are many other shocking words and phrases used throughout the book such as nigger, shit, sex, titties, pubes, whore, hell, pervert, queer, and vagina (PABBIS). At times, these words are unnecessary and take away from the overall merit of the book. Even if children in high school hear these things everyday from their pee rs, it is inappropriate for the students to hear them in a classroom setting. These words and phrases can profit some kids uncomfortable and distract from their learning (Boudreau). In addition to the language, there are shocking scenes in this book as well. For example, the main character gets molested by her stepfather at eight years old, and vividly describes the experience I awoke to a pressure, a strange feeling on my left leg it was his thing on my leg. He utter, Just stay right there, I aint gonna hurt you. I wasnt afraid I knew that hoi polloi did it and they used their things to follow up the deed Mr. F. put his hand between my legs. He threw back the blankets and his thing stood up like a brown ear of corn.He took my hand and said Feel it. It was mushy and squirmy like the inside of a freshly killed chicken. He slowly dragged me on top of his chest. His right hand began moving so spry and his heart was beating so hard that I was afraid he would die. Finally he was qui et, and then came the nice part. He held me softly.. Then he furled over, leaving mein a wet place and stood uphe said, do you love your brother? If you ever tell anyone what we did, Ill have to kill him. (Angelou 72) This scene is absolutely inappropriate. It goes into too much detail and can even make adults uncomfortable. And worse, there are more scenes like this, including another rape, a murder, and prostitution. Children should not be exposed to this type of behavior unless they are mature enough to handle it and most children are not (Boudreau). With such explicit material in I Know Why the Caged Bird Sings, it is not appropriate to be read in a school setting.Students should not be forced to read this book in a classroom because it could offend and hurt some people with already low self esteem. Low self esteem is a very serious issue facing the majority of todays teenagers.There are problems with depression, anorexia, and low self-esteem as teenagers desperately hope to lo ok like person else, or have what others have (Brothers). In I Know Why the Caged Bird Sings, the main character, Maya, always hates herself as well. For example, she longed for whiteness white skin, blonde hair, right clothes, and simple recognition (Fox-Genovese 37). Maya always hoped for what she could not have, neer being content with what she was given in life. This is not a good example for teenagers in this day-and-age to be looking up to or reading about. This shows kids that not pass judgment themselves is okay. Also, although this book is written to show the racism of the time period, it offends people of different colors.They feel bad about themselves as Maya always believed she had the wrong hair, and the wrong legs, but also the wrong face. She was the wrong color (Smith 51). This phrase has a very negative connotation, utilise the word wrong to describe a skin color. This hurts kids of color who already struggle with their race and their own self-image. Also, thro ughout I Know Why the Caged Bird Sings the word nigger is used very often. Nigger was an informal slang word used by slave owners in reference to blacks. It derived from the word negro.striver owners used the word to refer to their slaves so that they did not have to dignify them with a real name. It is considered insulting to black people because it is a symbol of the way they used to be treated and it can signify that they are undeserving of a birth-given name, simply because their skin is dark (Barns). The frequent use of this word in I Know Why the Caged Bird Sings can still seriously offend someone of color. This book can definitely hurtor offend people with already low self-esteem and therefore should not be read in schools.Despite this bad material, I Know Why the Caged Bird Sings has some redeeming qualities for the mature reader. Because this book is an autobiography, it makes it more relatable because the events actually happened. Angelou wrote this book to probe her ident ity, to stop lying to herself to cover her fear. She turns to her pen to atone for past falsities and to accredit the truth about herself (Fox-Genovese 37). Angelou was brave enough to share her own story with the world, and a mature reader could recognize and appreciate this. The fact that it is an autobiography creates a stronger effect as the reader can picture the story actually happening in real life (Didion 34). Since Angelou lived through it, this book is a obsolete piece of social history of the time and a personal look into the lives of all African Americans when they were forced to face the continuation of slave mentality and racism (Bloom 16).But, as it adds to the story for those mature readers, it also can make the book less fit for reading. If the reader is already uncomfortable with the storyline, the fact that it actually happened can unsettle the reader even more, but if the reader can handle it, the fact that it is an autobiography adds merit. The way that Angelo u introduces herself as Maya, a tender-hearted child, allows her story to range in an extraordinary fashion along the field of human emotion, allowing the mature reader to connect with the characters easier (Kelly 24).Ernece B. Kelly recognizes that this book may not have excellent syntax, but that it makes up for the lack thereof with the insight she offers into the effects of the social conditioning on the lifestyle and self-concept of a black child growing up in the entropy in the 1930s (24). Despite its inappropriate content, I Know Why the Caged Bird Sings definitely has some literary merit, giving the reader pass on on knowledge of what truly happened during that time period. But, the reader would have to be mature enough to look past the inappropriate material to truly appreciate the novel. For a sophisticated reader, I Know Why the Caged Bird Sings is full of redeeming qualities.I Know Why the Caged Bird Sings can offer some insight and knowledge forsome steady readers, bu t can offend and hurt others who are not ready for it. Therefore, it should be allowed in libraries, for the few who go out understand and appreciate its input, but it should not be on a required or suggested reading list. This society attempts to turn a device eye to actual events which it deems too troubling to admit to, let alone deal with (Baldassarro). This book is about real situations that actually affected real people and real lives. By banning this book altogether, schools would be covering up the truth and pretending it never happened. Therefore, the book must be for sale in the library to any student who is interested in reading it on their own time.Schools however, cannot require I Know Why the Caged Bird Sings as a class reading assignment. Despite the literary merit, there are too many students that are not ready to overlook its shocking language and detailed scenes. It should be up to the individual student and their parents whether or not they are ready to read an d understand this book. A teacher can never assume that a student can handle such a book and by assigning this book, a teacher is assuming that all their students are prepared for the inappropriate material, which is usually not the case. Schools must find middle ground, being careful not to offend anyone. Therefore, to make the book available to those who leave behind appreciate it, I Know Why the Caged Bird Sings will be in the library, but to protect those who are not ready, the book will not be assigned in a classroom.I Know Why the Caged Bird Sings should be available in libraries for those few who can appreciate its merit, but should not be assigned because it is very inappropriate. This book has been challenged almost forty times by passionate parents. It contains crude language and horrid scenes that are not appropriate for children to be reading. This book is a bad example for teenagers with already bad self-image as the main character struggles with self esteem as well. D espite these drawbacks, I Know Why the Caged Bird Sings does have some redeeming qualities.Because it is an autobiography, the reader has a better insight into her life during this time period. Because this book can teach some mature readers that are willing to look past the shocking material, I Know Why the Caged Bird Sings should be available in libraries. But because of the offensive, inappropriate material, this book cannot be read in classrooms. This compromise will makeparents more comfortable as they can insure what their child is learning. This control can be important in todays society as children are becoming more and more accepting of inappropriate material.

Acl Reconstruction Graft Information

Graft report Patellar transpose The patellar heftiness bone- brawn-bone join has been the gold standardised transplanting choice for ACL reconstructions since it became common practice in the mid-1980. It has been used extensively by surgeons since that time and quiet down remains the graft of choice for a high number of orthopedists who perform this operation regularly. The patellar muscle graft has consistently demonst consecrated excellent surgical outcomes with a 90-95% success rate in cost of reelecting to pre-injury level of sports.A patellar heftiness graft is harvested done a 3-4 long incision base just along the medial border of the muscularity The middle third of the brawniness 10-11 mm round-eyed is then removed along with 2-2. 5 cm long bone blocks still apart of the brawn at each end of the graft from the tibial tubercle and the outer surface of the patella. This gives a compo web site plant bone-tendon-bone graft that has very strong insertion points o f the tendon leisurely create from raw stuff into bone. The tensile strength of this graft has been measured by Noyes (1984) to be about 2950 Newtons to failure, versus the strength of an intact ACL at 2160 N.What happens to the remain patellar tendon after a third of it has been removed? Over the course of three to quaternary months after surgical operation the tendon regenerates or grows back. Initially it seems to overgrow into a thick, large tendon that then remodels back to a more(prenominal) commonplace contour by 12-18 months postoperatively. Surgeons kick in til now been adequate to re-harvest another patellar tendon graft from the original tendon once enough time has passed for tendon reconstitution (although thithers in a flash evidence that this repaired tissue paper may not be as strong as normal patellar tendon tissue).Patellar tendon ruptures at the donor site atomic number 18 unlikely after the initiatory few months post-op. Patellar tendon ruptures gr eat deal and do occur however during the initial 6-8 weeks after surgery if the remaining tendon is stressed too hard. One of the advantages of this construct is that because the bone-tendon interface is quite strong, the surgeon just has to fix the block of bone in the bone tunnel rather than trying to fix the soft tissue itself.A headless screw is inserted next to the bone plug (like a squ be peg in a round hole) to interference fit and locks the bone in place. The patellar tendon fibers are thereby immediately secured and are stable enough to begin motion and weight bearing when tolerated. The ends of the graft restore bone-to-bone in around 6-8 weeks, which appears to be quicker than the bring toing process for soft tissue-to-bone. Interference screws are now available in a bioresorbable material that actually dissolves within the bone over 2 to 3 years.The gold standard graft isnt perfect, however. There may be more pain associated with this donor site than from all of the other graft choices. As a result there is sometimes a greater initial atrophy or wasting response of the quadriceps muscle compared to say either a hamstring or cadaver allograft. This can require more prolonged physical therapy to recover from and could perhaps delay the initial depict to sports. The incision (scar) is bigger, and almost all patients end up with a everlasting loss of sensation 2-3 in size just lateral to the incision.There is a take chances of patellar tendon ruptures, as well as fracturing the patella two intraoperative as well as postoperatively, although bone grafting the defect in the patella at the time of surgery has knock downd the incidence of the latter. Patients who genul a atomic reactor for a living are often unhappy with the patellar tenderness and sensitivity that can occur at the incision site and should probably consider an alternative graft choice. One of the bigger issues with patellar tendon grafts that recently has a number of orthopedis ts switching to alternative grafts is the incidence of preliminary knee pain when patients try to resume athletic activities.Specifically there are some studies5 showing an increased rate of patellofemoral pain and/or tendonitis of the patellar tendon with stairs, jumping, skiing and other such activities 6-12 months out from surgery. last these are often treatable with continued strengthening, rest from sports, and time, entirely these symptoms can delay the expected time of return to sports. In summary, the patellar tendon BTB graft is a safe and effective option for ACL reconstruction. It has a consistently successful clinical track record at all levels of athletic activity with excellent outcomes and consistent results.Its major detriments are primarily increased tenderness kneeling on the donor incision site, and the attainable risk of infection of problems with patellar and patellar tendon pain upon initial return to sports. Semitendinosus Semitendinosus grafts are made with the semitendinosus tendon either alone, or accompanied by the gracilis tendon for a stronger graft. The semitendinosus is an accessory hamstring (the primary hamstrings are unexpended intact), and the gracilis is actually not a hamstring, but an accessory adductor (the primary adductors are left intact as well).The two tendons are commonly combined and referred to as a four string hamstring graft, made by a long piece. which is removed from each tendon. The tendon segments are folded and lace together to form a quadruple thickness strand for the replacement graft. The braided segment is move through the heads of tibia and femur and its ends fixated with screws on the opposite sides of the two bones. Hamstring grafts require a small incision and are usually less painful to harvest.Thus the initial postoperative period is often easier and more comfortable with this graft choice. Similarly, because there is no violation of the patellar tendon, there seem to be few problems with knee pain during the first few months that a patient is allowed to return to sports. The hamstring incision is onward from the patella so patients are usually comfortable kneeling after their reconstruction. Because the quadriceps extensor mechanism isnt violated with a hamstring harvest there is often less initial quadriceps atrophy.With a quicker return of knee quadriceps strength some surgeons are allowing their fully recovered patients to return to sports a month or two earlier than they might for a patellar tendon BTB graft.. just there have not been any scientific studies examining the tensile strength to failure of a valet ACL graft at three months after implantation that would support this approach. Certainly the animal research make on patellar tendon tensile strength in rhesus monkeys suggested that the graft was actually weakest at 3 months out before maturing at 6 months post-surgery.However the truth is that soft tissue-to-bone healing occurs at a slower rate than bone-to-bone healing. A number of surgeons are concerned that this fact is being ignored when patients are placed into an accelerated rehab without allowing extra time for the graft ends to begin to heal to the bone tunnels another disadvantage of hamstring tendon grafts is that harvesting them is a technically demanding procedure that requires considerable surgical experience. Pitfalls such as transecting (cutting in half) a tendon or injuring nerves or ligaments in the area of dissection are attainable during the stripping process.There is also a different technique for tensioning the hamstring tendon in the knee once the femoral end has been secured. The graft needs to be pre-tensioned and its important that each of the four graft ends be individually tensioned during the tibial fixation for best results. Allographs Another alternative available however is to use tissue from a cadaver that is called an allograft. Patellar tendon, hamstring tendon, and even Achilles tendon a llografts can be used as ACL graft tissues and are inserted and fixed with the same techniques that are used for autografts.The advantages of using cadaver graft tissue are obvious no risks, pain, or scars from the donor site. Surgical time is quicker and because there is comfortably less discomfort postoperatively, the incidence of joint stiffness and atrophy of the quadriceps muscle is significantly reduced. Allografts are a good choice when there are limitations in a patients own tissue availability. entangled multiple ligament reconstructions needing several grafts routinely require the use of allograft tissue in addition to an autograft.Revision ACL reconstructions where an autograft has already been harvested are also an indication for using a cadaver grafts.. The biggest concern with using allografts is the risk of contracting a serious contagion from the cadaveric tissue. Hepatitis and human immunodeficiency virus can be transmitted through these tissues with potentially fatal outcomes. Bacterial infections are also a possibility and although not usually smell threatening, can result in loss of the graft and cause subsequent arthritis. The dilemma with allografts is that they cant be cytosine% sterilized without altering or even destroying the tensile strength of the graft tissue.Imagine what happens to any food that is pressure-cooked at temperatures over 270 F under pressure for 10 minutes and youll understand what happens to a patellar tendon graft sterilized in an autoclave. Similarly, radiating grafts with high enough doses to kill viruses has been shown to alter the collagen tissue and reduce the grafts tensile strength. Currently the preferred allograft treatment technique is a fresh frozen graft the tissue is harvested, cleaned and then frozen in liquid nitrogen.The cadaver is screened extensively with hepatitis and HIV testing as well as a life style analysis to identify any high-risk look for these illnesses. Blood tests for HIV, howeve r, are not infallible because they can lag 6 months between the time of infection and the conversion to a positive test. Nevertheless, the process is fairly safe and the published rate of contracting HIV from these tissue allografts is between 1 in 1. 2 to 2 million. There are some graft procurement companies who are able to do actual direct HIV viral testing on their tissues which lowers the risks even more.And several companies have developed proprietary cleaning techniques that they claim can guarantee infertility of their graft tissues. Some grafts are also treated with low dose irradiation (1-2 Mrads) in a compromise attempt to provide some degree of sterilization without damaging the tissue characteristics. Unfortunately there are some studies indicating that ACL reconstructions using these tissues may stretch out over time so non-irradiated grafts would be the subjectl structural choice if infection were not a concern.Unlike organ transplants, allografts arent usually at ri sk for tissue rejection by the host. This is because theres very little protein antigen in these washed grafts (the bone ends are completely cleansed of any marrow elements). The majority of the grafts are primarily made up of collagen, which has very low antigenicity. Laboratory studies have shown that there is universally a low grade immune reaction to insertion of these foreign tissues, but this doesnt appear to be clinically significant in terms of achieving a successful outcome.Bone tunnel turnout is sometimes seen with the use of allografts, but similar to the case of hamstring grafts, doesnt seem to have any moment in terms of functional problems. There are some early studies suggesting that allografts take longer to heal in the knee than comparable autograft tissue. At the same time the patient is recovering from the surgery quicker because of the reduced pain and morbidity of not having donated their own graft tissue. Typically allograft patients pass on feel like theyre ready to get back into sports in just 3 or 4 months since their full strength and joint mobility are often achieved at that point.The combination of delayed allograft internalisation with an accelerated recovery can obviously spell disaster in terms of the ACL graft stretchiness or rupturing altogether. So patients with allografts must completely understand the healing process and comply with the temporary restrictions even though they may think their bodies are telling them its OK to be doing more athletically. It takes a lot of mental discipline. And obviously its a misconception that an athlete can return to sports earlier using an allograft in view of the above. The last disadvantage of allografts relates to the practical issues of cost and availability.There has been a national shortage of patellar tendon allografts due to increasing demand combined a low supply of suitably qualified cadavers. This shortage has been created in part by physicians who routinely use allografts as their first choice for ACL reconstruction grafts in spite of the fact that autograft tissues work wonderfully. Other cadaveric tissues such as hamstrings, Achilles tendons, and even anterior tibialis and posterior tibialis tendons (some of the ankle tendons) are often being used instead of patellar tendons due to this availability issue.Some surgeons simply dont have ready access to the facilities that procure and process allografts. And allografts are expensive, test anywhere from $2000 to $10,000 depending on the tissue type and your geographic location My Choice If I needed to go into surgery for an ACL reconstruction surgery and I had to choose from one of these graft options, I would choose to go with the semitendinosus graft. I would shy away from the allograft mainly because I am uncomfortable with the whole idea of donor replacements being implanted in my body.Along with the great threat of infection the allograft also tends to be hard to obtain with a nationwide shorta ge of acceptable cadavers, therefore making them very expensive. When study the patellar graft and the semitendinosus graft its hard to find much of a difference in the results, both offer good knee stability with minimal adverse effects after surgery. However, the semitendinosus graft affects a much different and less major tendon group, in return providing less knee cogitate problems after surgery therefore giving it the advantage over the patellar graft in my eyes.

The ways in which Shakespeare portrays the themes of love in Twelfth Night

Twelfth Night is a comedy point in Illyria, a Mediterranean country. However, amongst the well-timed comical scenes, Shakespe ar has different emotional predicaments intertwined with a variety of characters. much(prenominal) predicaments are due to misleading identities and different erotic love themes throughout the merriment including love between sorrow siblings, and the counts and countess of Illyria. The main plot of the Twelfth Night revolves round the three main characters, genus Viola, Orsino and Olivia who peach in rhyming couplets. Each of the main characters ricochet a love trilateral which expresses the main love themes in the play including Elizabethan courtly love, real selfless love and overwhelming love.The love between each character that form the love triplicity is such that the love and affection is directed one way around the triangle Viola loves Orsino who believes he loves Olivia who to a fault impetuously believes she loves Viola. Outside the love tri angle are the minor characters who speak in pros and show a further variety of different love themes save uttered in a light-heartened manner. These include self love and love based on a coarse agreement. every last(predicate) told the characters in the play are all connected through different love themes.Orsinos love for Olivia is excessively known as Elizabethan courtly love familiar to Shakespeare at the time the play was written. This type of love is described as a man of a high status courting an unattainable womanhood to be rejected, so the man move in that respectfore wallow in self-pity and act melodramatic. Orsino explains the different symptoms of his infatuation for Olivia to Viola, explaining how a typical lover should be fix and giving advice about love even though, ironically, he has had teentsy success. Viola recognises Orsinos infatuation for Olivia and questions his love for her. Viola is correct to questions Orsinos fixation to be in love as he has littl e interaction with Olivia until the final scene, but still believes he loves her. Orsino shows fickle mood changes believed to be experienced when in love, which Feste describes suckly.Love PoemI suffer unclasped to thee the book even of my secret soul.O, then draw out the passion of my love for thy mind is a very opal.True, selfless devotion is another side to the love triangle in Twelfth Night. Viola expresses pure love and tremendous loyalty to Orsino, sacrificing her own happiness for Orsinos. Viola conveys her love with intense speaking and use of dramatic irony. Shakespeare allows the audition to witness Violas distress so the play becomes more and more intense with the Viola and Orsino scenes. Viola tells Orsino of her love for him in an ambiguous manner, so he never suspects her feelings for him.My father had a daughter loved a man, as it might be perhaps, were I woman, I should your lordship.I am all the daughters of my fathers house, and all the brothers tooA little, b y your favour Of your touch About your years, my lord.Sebastian and Olivia both show impetuous emotions through the play. Olivia immediately falls in love with Viola, who is the very(a) twin to Sebastian. Once Sebastian enters the play he is mistaken for Viola which further shows evidence that both Sebastian and Olivia have impulsive emotions as Olivia still accepts she loves Sebastian although he is not Viola and Sebastian falls immediately falls in love with Olivia, which whitethorn be seen as blind love. Olivias impulsive nature is not just evince with her love for both Viola and Sebastian but also when she announces her seven-year morning for her brother. The audience sympathises with Olivias painful rejection by Viola, and her problem to tell Viola her true feelings. It is also clear of Olivias unfamiliarity with rejection as she desperately tells Viola she may change her feelings for Orsino if Viola returns.I love thee so that, maugre all thy prideLove between siblings is also apparent in the play. Once Viola is rescued from drowning she immediately feels she has lost her brother, Sebastian. Her impulsive manner towards the ocean captain, shows the strong bond her and her brother have. Shakespeare uses a dreamy, pensive quality when describing Violas distress for her loss, and for her new independence and helplessness, which the audience can try and relate to.For saying so, theres gold.And what should I do in Illyria? My brother he is in Elysium.Antonio, who rescued Sebastian from drowning, develops a protective love for Sebastian, which could be interpreted as homosexual. Antonio expresses great respect, loyalty and selflessness when trying to help Sebastian. He offers his purse to Sebastian, which also shows great trust and friendship.My kind Antonio, I can no other answer make but thanksHaply your eye shall light upon many toyWith viewing of the town there shall you have me.Another bond through friendships, apart from Feste, mare, Fabian and Si r toby fillpot jug who are all work colleagues, is between Viola and Orsino who are also work colleagues, but develop an trusting relationship. Viola is Orsinos confidant and this reveals his personality to her, only further enhancing her love for him.Sir Toby and Maria show flirtatious behaviour throughout the play, as well as playful behaviour at Malvolio and Sir Andrews expense. It is clear they both enjoy each others company and share the same sense of humour and feelings towards other characters. The love between these two characters maybe described as practical love for a mutual benefit. If Sir Toby were to marry Maria he would have a companion who looks after him and Maria would have a higher status, marrying a knight. The audience understands the relationship between these characters and accepts them as a couple.MARIA My pay heed is Mary, sir.SIR ANDREW Good mistress Mary Accost-SIR TOBY You mistake, Knight accost is front her, board her, woo her, assail her.Malvolio, Oliv ias servant, believes it is unaccompanied possible for a countess to love a steward, so doesnt doubt the phoney letter conveniently situated in front of him by his vengeful work colleagues, who believe he has abused his power over them. In fact, the major reason Malvolio can so easily believe Olivia would and could love him is due to his obsession for power and to exercise that power over the other characters such as Sir Toby. He is described as having self-love by Olivia, which again allows him to so easily believe the letter is genuinely from Olivia although it instructs him to wear xanthous stockings and cross-gartered. The letter refers to four letters M, O, A, I which Malvolio instinctively believes are reference to his name. in yellow stockings, and cross-garteredO, you are sick of self-love, Malvolio and perchance wind up my watch, or play with my some rich jewel. Toby approaches courtesies there to me-Sir Andrew has the audiences pity and sympathy throughout the play due to his naive and innocent nature. Sir Andrew is encouraged by Sir Toby to be optimistic about Olivias feelings towards him. Sir Andrews hopeless love for Olivia is futile and at the end of the play he is still alone, which Shakespeare has used to further enhance the sympathetic attitude of the audience.I was adored once too.Shakespeare interconnects all the minor and major characters through misleading identities and a variety of love themes, which I have time-tested to outline. The major characters speak in rhyming couplets whereas the minor characters speak in pros, making a clear distinction between the two types of characters as well as the different range of love themes expressed by the different characters.I music be the food of love, play onCome, sir, you peevishly threw it to her

Keeping the Family Tradition Alive Essay

I started retentivity my family tradition of canning alive last summer. My family has canned for years and there is nonhing fail than opening up something I fool canned on my own and thinking of the large number who sh atomic number 18d this tradition with me. Traditions ar very important to keep going in families around the world. Traditions are very broad anything from what people do on holidays to grooming. My family tradition is very important to me.I knew last year that if I didnt learn some of my familys secret recipes while my grandmother and mom are still with us than there would be a chance that my family would never be able to hear the wonderful flavors my family has bound apart together over the years and my family has looked so forward to the taste that we have grown to love. Before I begin canning, I must gather all the materials that I need to get started. The first tread is the selection of the tomatoes. I pick all of my tomatoes from my own garden they ar e so much better than anything from the grocery store.Last year I used better boy tomatoes and roma tomatoes. The roma tomatoes are great to use because they have fewer seeds, thicker, meatier walls and less pee. And that means thicker sauce in less make uping metre Also, I dont want mushy, bruised or rotten tomatoes. Next I acquire the tomato skins this is very important. Nothing worse than eating spaghetti and having to chew on a piece of skin left behind. Heres a trick my grandma taught me put the tomatoes, a few at a time in a large pot of boiling water for no more than than 1 minute. Then I plunge them into a waiting bowl of ice water.This makes the skins slide correct off of the tomatoes. If the skins are left on thence they become tough and chewy in the sauce, non very pleasant. Now I must remove the seeds and water. After peeling the skins off the tomatoes, I disregard the tomatoes in half. I remove the seeds and excess water. I counter it the squeeze of the seeds. It is just like it sounds gargle hands then squeeze each tomato and I use my thumb or a spoon to scoop and shake out most of the seeds. I do leave some of the seeds because that is my preference. I toss the squeezed tomatoes into a colander or drainer while I work on the others.By drain the water off now, I end up with a thicker spaghetti sauce in less cooking time. The next step I must do is to get the lids and jars clean. The dishwasher is fine for the jars, e surplusly if it has a sanitize cycle. I get that going while Im preparing everything else, so its do by the time Im ready to fill the jars. While the jars and lids are being sanitized I begin getting that spaghetti sauce going. I take my onions, garlic, basil, oregano, bay leaves, green peppers, lemon juice, salt, pepper, and my burgundy and postal service them all in the pot first.After I get the onions and pepper a little brotherly I add all the tomatoes and bring to a simmer. Cook down the tomatoes until the sauce is my desired thickness. I usually let my sauce cook for about two hours. The last step I call canning time. While my sauce is simmering I get my water bath canner ready. I go ahead(predicate) and feel the water up and get it boiling. I start a small pot of water boiling to put the lids in so that the lids can sanitize and helps the lids seal. When the sauce is ready I turn out the jar funnel on the jar and I fill them to within ?inch of the top and set the lid and hand tighten the ring on. I place the jars in the water bath and cook for about 20mins. I then use the jar grabber and pull the jars out one at a time and let them cool draft-free place. Once the jars are cool, I check that they are sealed sustain that the lid has been sucked down. I press down in the center gently with my finger. If it pops up and down then it is non sealed. If it dont seal than I just replace the lid and do the canning time again. Now that all the steps are complete, I listen to all the little pings going on telling me that my hard work has paid off.I am so glad that I have learned the family tradition of canning. My grandmother has gotten older and doesnt can anymore. Out of all my family it is just my mom, aunt Susan, and myself left doing the canning. It was a nice reward to my sole a few weeks ago when I had my grandmother over for dinner. I had canned some beets and decided that was the day to open them. When my grandmother tried them she said, These taste just like mine. To hear her say that meant so much to me. I couldnt image not having the taste of what I grew up with because they dont sell it in the grocery store.This is why I am keeping my family tradition going and teaching my girls. We never know when our love ones are not going to be here anymore. If I cant have my family with me I at to the lowest degree want to be able to remember them by creating what they have thought me. If people have something in their family that is done by others and would not want to miss it after that person is gone than learn how that special someone does it. I did thats why I will always have that special association with canning and my family.

A strong sense of class consciousness in “Emma”

There is a strong sense of class consciousness in Emma. What is Emmas attitude towards social position? How do the Martins and the Coles reflect changes in the class structure of 19th century England? How willing is Emma to accept these changes? Compare and contrast Emma and Mr Knightleys attitudes towards Robert Martin.Emma was written at the beginning of the Nineteenth century when striking change was going on in social structures. Up until then nightclub was governed by a unshakable class system and mixing of classes was real rare, so far the middle class, the land owners and work-force owners were beginning to compartmentalize their own place in society. Increases in international trading and the start of the Industrial Revolution were notice factors in the rise of the middle class. Emma as the daughter of a substantial landowner and at the elapse of society resists these changes with immense social snobbery although she is aware the change is imminent.Emma conceives of her society in terms of rigid inequalities Miss Woodhouse cannot telephone Mrs Martin, the Coles will not presume to invite the Westons, Mr. Elton may not aspire to the heiress of Hartfield writes Helen Dry, Syntax and the Point of View in Jane Austens Emma, (1977), 87-99. Emma clings to ancient established ideas of social hierarchy but only(prenominal) when it suits her. She ignores Harriets illegitimacy purely for her own fancy and sees no problem in a match betwixt Harriet and Mr. Elton, or Harriet and Frank Churchill however the idea of an unequal match between Harriet and Mr. Knightley shocks her, Such an elevation on her side, a lot(prenominal) a debasement on his She is also feels extremely insulted when Mr. Elton proposes to herShould suppose himself her equal in familiarity or in sagacity Look down upon her friend, so well understanding the gradations of rank infra him, and be blind to what rose above, as to fancy himself shewing no presumption in addressing her-i t was most provoking.Emma objects super to Mrs Elton, partly due to her self-inflated ideas of social status She brought no name, no blood, no alliance. Miss Hawkins was the youngest of two daughters of a Bristol merchant, The idea of being indebted to Mrs. EltonThe dignity of Miss Woodhouse of Hartfield, was sunk indeed Mrs Elton shows a great deal of snobbery herself she is harsh, brash and arrogant, she boasts on numerous occasions about Maple Grove, and the barouche-landau belonging to her brother-in-law. She evermore compares everything and everybody to his circle the only good society she knows.Mr. Weston marries a portionless governess, yet Emma does not oppose this because Mrs Weston happens to take up been her governess. And Emma angrily defends Mrs Weston when Mrs Elton expresses her surprise at her ladylikeness. I was rather astonished to find her so very lady-like But she real is quite the gentlewoman.Emmas inherent snobbery is demonstrated when the Coles host a par ty in Highbury. The Coles were very respectable in their route, but they ought to be taught that it was not for them to arrange the terms on which the superior families would visit them. This lesson, she very some(prenominal) feared, they would receive only from herself she had little hope of Mr. Knightley, none of Mr. Weston. Emma feels the Coles are attempting to rise above their station however she recognizes that neither Mr. Knightley nor Mr. Weston will agree or support her here because as Robert Miles writes, they have better judgementKnightleys flexibility absorbs the threat, whereas Emmas stiffness augurs friction (Jane Austen Northcote House, 2003, p.105)Emmas dislike of the Coles stems from their recently acquired wealth Theyby this sequence were, in fortune and style of living, second only to the family at Hartfield. High rank in society was dictated more by family history than current wealth. Hereditary wealth was perceived as continuously superior to recently earned new money. However, change was imminent with the increase in trade wealth and the upper class had to accept this, some even embraced it, Emma however refuses to accept these changes and adapt to this new way of thinking.The Martins are an honest, respectable family and Emmas attitude towards them shows the termination of her snobbery, conceit and class consciousness amused by such a picture of another set of beings and enjoying the youthful simplicity which could speak with so much jubilancy of Mrs Martins having two parlours. Here Emma laughs at the idea of less fortunate people than herself and is exceedingly patronising towards Harriet however Emma is not perceived as cruel because she doesnt know any different and has not experienced biography outside of Highbury and the unchanged community she was born into.A young farmeris the very last course of person to raise my curiosity She discourages Harriets attachment to the family and in particular Robert Martin, I did not expect much but I had no idea that he could be so very clownish, so whole without air. I had imagined him, I confess, a degree or two nearer gentility Emma warns her that the accident of her pedigree obliges her to dissociate herself from any connections which would lower her social status further Harriet is probably of the same class as the Martins, but Emma feels that the association with herself has raised Harriet far above an association with a farming family. This demonstrates the arrogant, hypocritical and impede characteristics which flaw Emmas character.When Mr. Martin proposes to Harriet, Emma is surprised by the quality of his letter, She read, and was surprised. The style of the letter was much above her expectation, this reveals the extent of her superiority and condescension. You banished to Abbey-Mill Farm-You confined to the society of the illiterate and vulgar all your life I venerate how the young man could have the assurance to ask it. He must have a beauteous good opinion of himself. This shows humour and irony because what Emma says is very spiteful and untrue (although she does not mean it to be so), but also hypocritical because she has an extremely spunky opinion of herself.Mr. Knightley, on the other hand, has a high regard for Mr. Martin and his family I never hear better sense from any one than Robert Martin. He is an beautiful young man both as son and brother. Mr. Knightley is outraged when he learns of Harriets refusal. He is a realistic, intelligent man and knows Martin is a good, respectable match for Miss Smith. Robert Martins manners have sense, sincerity and good-humour to recommend them and his mind has more true gentility than Harriet Smith could understand.Emma, although aware changes in social position are chance and being accepted, is reluctant to change, and as the first lady of Highbury does not welcome the break-down of the rigid class structure. The Martins and the Coles fight down these changes and we see them ac cepted warmly by nearly everyone except Emma. Characters such as Mr. Knightley and Mr. Weston are much more realistic, with a wider understanding of social issues than Emma, who has never left Highbury.

Mickey Mouse Character Essay

A century ago who would have believed a sm on the whole little, rodent creature would be the icon of not just a multi-billion dollar company unless also a symbol of innocence, y come forthh, and, happiness. The icon of rail line is n matchless other than rice paddy sneak, a reference work that has hundreds of different meanings to millions of different people. But the paddy field the reality knows today is not the same resume mouse that audiences k unfermented when he do his basic common appearance in 1928. Rather through show up the eight decades hes been around, paddy field black eye has evolved and grown, just as the public has. Where paddy field was once a mischievous, abrasive, adventurer everyplace the years hes change into a cheerful, calm, educational tool.But the marvel lately has been whether paddy field creep is still a relevant figure in a fast paced, high-tech world full of video impales and transaction films. Where barely does the eighty-three year-o ld rice paddy common mackerel fit in with newer icons such(prenominal) as Super Mario and Spongebob Square underdrawers? Disney hopes to answer this doubtfulness by rebranding the aging mention to once again become an important quality in the coming(prenominal) decade of the teens. By going back to the essential qualities of humor, he ruse, mischief, and adventure that once made up rice paddy Mouse, Disney can rediscover a mention that is truly snipless.Its important to note that rice paddy Mouse wasnt always the prize creation of Walt Disney you see once upon a time thither was a newfangled active creature known as Oswald The Lucky Rabbit. Oswald was a happy, upbeat fellow who practically found himself in sticky situations whether it was run away vehicles1, danger at war2 or his girlfriend getting kidnapped by a shadowy figure wearing a top hat when hes submiting to milk a robot cow3. Sadly Oswalds happiness soon came to an end when his course of actioner Walt Disney realized despite universe the man behind the event, he actually didnt own the seriouss to the animated rabbit, as he was property of the distri moreoveror Universal Pictures. Up stiff over his contract, Disney broke his ties with Universal, which meant leaving twain his staff and Oswald behind.When attempting to come up with a new cartoon caseful he himself would own, Walt Disneys look wandered back to the days he worn out(p) living in Kansas City. His studio there was frequently run over with field mice, and he found himself particularly close with one specific mouse. When bored with work he would play with the mouse, training the rodent to extend in a small circlethrough the outgrowth of operant conditioning by pathetic its nose with a pencil whenever it began to leave. Walt therefore decided to view as the character flummoxed after the mouse he grew so fond of. The basic design apply for Oswald was still retained, with mostly minor changes to make the character res emble a rodent rather than a rabbit. Walt originally planned to prognosticate him Mortimer, but his wife thought the name sounded pretentious. The two compromised on the name rice paddy, and with that the most storied cartoon character was born.Contrary to popular belief, Steamboat Willie was not Mickeys first appearance, but rather it was six months earlier with the short-circuit Plane Crazy (1928). Based after famous aviator Charles Lindbergh, the short consisted of Mickey becoming a pilot as an attempt to impress his time to come girlfriend Minnie Mouse. The Mickey in the short is quite possibly the furthest you could get from what he is today, as his goal throughout the cartoon is to get an un forgeting Minnie to kiss him age flying the plane.After some(prenominal) futile attempts, he tries to get the kiss by victimisation force on her until she has no pick but to parachute out of the plane to escape. Mickey Mouse lusting so heavily after a kiss would be deemed bad enoug h by todays standards, let alone victimization physical force to try and get it. Now Mickey wouldnt be caught dead doing any activity. Soon other Mickey Mouse cartoon was made titled Gallopin Gaucho (1928), but it wasnt until Steamboat Willie (1928) that the character would catch on.Steamboat Willie was a complete revolution at the time in 1928. go The Jazz vocalist was the first picture to use sound, it was unaccompanied used sparingly throughout the film. Steamboat Willie on the other generate was a celebration of sound in film, acting in many ways as a technical pose off. Bells chime, cows moo, steam whistles blow, and more than than to fork out off the marvel that can number when the sound one hears directly correspondents to what appears on screen. The short became an instant success and officially launched the career of the boyish cartoon star.Mickeys appearance in the short is particularly reminiscent of a rodent, curiously when compared with his later design. H e has beady eyes, longtail, and lacks the trademark gloves the character is known for. His nose is more protruded from his face, while his ears are placed closer to his head giving him an overall scrappier look. Mickey is also portrayed as smaller than hes normally shown, being significantly smaller than a cow.4While Mickey is shown to still be fairly happy-go-lucky, hes not innocent kind fellow the public now knows. He pulls a cats tail repeatedly with the intention of getting it to squawk out, simply to contribute to his impromptu jam band. Mickey laughs and grins almost roguishly, taking immense delight in what is visually causing the cat pain. He even swings the cat around and around, until throwing the animal carelessly crosswise the room to move on to his next victim. Mickey is clearly abusing the animals hes supposed to be taking care of. The cartoon ends with Mickey being mocked and laughed at by a parrot to which he responds by throwing a potato he was peeling at the bird, knocking the creature into the water.Mickey then listens closely to hear the off screen sound of the bird struggling in the water only when to burst out in laughter at the birds misfortune. Compared to the tame Mickey that the character later turned in to, its shocking to see he originated as a separate of sadistic fellow. Yet ironically, Mickey looks more innocent than ever as he throws his cares away, make tuneful instruments of the various animals around him. To kids, Mickey was a representation of fun and excitement. He turned whatever speculate he had into an entertaining adventure, even if that meant getting in trouble sometimes. The mouse had a distinct temper that seems to be lacking in the goody-two-shoes of today.The genres of Mickeys early cartoon ranged greatly from short to short, with everything from prison movie spoofs5 to war satires6 to a surrealist nightmare7. Though each cartoon shared a similar wizard of humor and fun. That is except for the 1933 short T he Mad Doctor, which features Pluto being kidnapped by an evil scientist who attempts to separate the dogs head in order place it on top of a weakly interacting m hind endive particles body to find out if the end result will bark or crowing or cackle8.Mickey enters the Mad Doctors lair, avoiding the skinny trap after booby trap, and even fighting off an army ofskeletons until he himself is caught and nearly sawed in half. In the end it turns out the whole experience was a dream, but nonetheless the short is quite terrifying for what was thought of as childrens fare. In the Journal of Popular Film and Television professor Rick DeCroix said that the short was, perhaps the first animated horror film played more for chills than laughs in fact, it was so unfinished that British censors deemed it unsuitable for viewing by children.9 Even many theatres in the U.S. banned the short, refusing to allow such scary material to be shown to young kids.More Mickey Mouse cartoons continued to b e produced at an increasing rate, as the character grew more and more popular. But with newfound popularity came increasing demands to make Mickey Mouse a more wholesome character for the later half of the 1930s. In his book cunning of Walt Disney from Mickey Mouse to the Magic states artist and popular culture studier Christopher Finch writesMickey had become virtually a earthal symbol, and as such he was expected to behave properly at all times. If he occasionally stepped out of line, any number of letters would arrive at the Studio from citizens and organizations who felt that the nations moral well-being was in their hands Eventually he would be pressured into the role of groovy man.10The character of Mickey had become too big to continue his troublemaker ways it soon became unvarnished the character would have to change to accommodate his sudden fame. In 1928 he was groping and physically fulfilling Minnie Mouse (Plane Crazy) but by 1936 Mickey would settle for a handsha ke with Minnie to show their expressionings (The Rival). Many of Mickeys characteristics were transferred to new characters such as Donald Duck and Dippy Dawg or give out known as Goofy. Three began to share more cartoons together with Mickey being the rational solid one, while Donald and Goofy were the silly more outrageous characters. Donald would eventually start appearing in more cartoons than Mickey, as the angry duck provided funnier material than the moral mouse. But the change in Mickeys character didnt come suddenly rather he gradually reformed his mischievous ways.Mickeys occupations also began to change as he moved from the countryside and barnyards to concentrate on more widely distributed positions. He soon started playing polo (Mickeys Polo Team) and more upscale activities, partially establish on Walt Disneys newfound inte residuals. By the forties Mickey had moved into the suburbs and wear more school clothing. In cartoons like the 1942 short Mickeys Birthday P arty he can be seen donning a snap-brim hat with red ribbon, a button down blue shirt, and a cane.11As Mickeys character and profession began to change so did his appearance to reflect his new image. Professor Stephen Jay Gould of Harvard did an lengthy study of the character from a biological artistic perspective concluding the followingHe has mistaken an ever more childlike appearance as the ratty character of Steamboat Willie became the cute and inoffensive drove to a magic kingdom. By 1940, the former tweaker of pigs nipples gets a kick in the ass for insubordination (as the Sorcerers Apprentice in Fantasia). By 1953, last cartoon, he has gone fishing and cannot even subdue a squirting clam. The Disney artists transformed Mickey in clever silence, often using suggestive devices that mimic natures own changes by different routes. To give him the shorter and pudgier legs of youth, they lowered his pants line and covered his spindly legs with a baggy outfitHis head grew relativ ely larger- and its features more youthful.12The character of Mickey Mouse eventually began to physically reflect the audience Disney started aiming at. Mickey began to shift into the position of being a peer of the children who watch him. He no longer was a rodent, but rather a child just like the kids who wanted Mickey Mouse merchandise.1953 was the last theatrical Mickey Mouse short and it wouldnt be until two years later that the character would reappear, this time in the form of the television show The Mickey Mouse partnership. The series was a variety show that consisted of live action serials, newsreels, and classic Mickey cartoons.It was an attempt to cash in on a new audience of young children who hadnt yet seen vintage Mickey underdrawers. This is a format that would be replicated several times over the next few decades as the show reappeared in the 70s and the 90s, with each episode repacking old cartoons. This displayed a impregnable shift in the character as the cart oons in theatres had a universal appeal, enjoyed by both adults and children, but The Mickey Mouse Club was clearly meant for kids only. From this point on Mickey was a childrens only character, and his new roles would display this. The Mickey Mouse Club also is the start of the character as an educational tool as a many of the shows non-cartoon segments were aimed at teaching kids valuable lessons and morals.New Mickey Mouse material was scarce throughout the sixties, seventies, eighties, and nineties with the only study Mickey film/TV appearances being three theatrical shorts13 and one direct to video movie14. Mickey during this period became less of a character and more of a corporate icon. He appeared allover the money machine theme parks Disneyland and DisneyWorld, along with finding his face plastered onto all kinds of merchandise and word of honor that pertained to the Disney company.During the 2000s the character of Mickey Mouse was finally put together back into producti on with the creation of the show Mickey Mouse plant. The series was made up of all new shorts featuring Mickey and friends, picking up right where the Mouse left off in the 50s, living in a comfortable suburbia. The show didnt last long, being taken off air in the late 2000. Instead the shorts were reformatted to fit a new series, House of Mouse, which put Mickey as the head of a dinner theatre where all the Disney animated characters gathered to hang out and watch cartoons.Half the show consisted of new material with Mickey running the club, while the rest was shorts from either Mickey Mouse Works or vintage color cartoons. The character also appeared in four direct to DVD movies, two of which being byproducts of The House of Mouse and the other two being Mickeys Twice Upon a Christmas (2004) and The Three Musketeers (2004). Despite being placed in all these different settings they all stuck to the recent strain of Mickey Mouse, boring and calm as ever, with the character forced to play the straight manto all the crazy people around himMickeys main cartoon appearance today is hold to the preschooler series Mickey Mouse Clubhouse, the ultimate culmination in his progression from all ages cartoon icon to a little kids only educator. The characters animation is slow and careful, trying to remain at a pace three year-olds can easily follow. Unlike The Mickey Mouse Club this series contains no classic Mickey shorts, being entirely educational based programming enwrapped thinly behind a narrative. But there is no disguising the fact that the show is limited in its appeal, having a clear audience of three to five year-old toddlers. Mickey Mouse, a character that previously climbed serious mountains15, explored the jungles of Africa16, and fought off hordes of skeletons17, barely shares any form of resemblance with the great mouse he once was.As the character became non-existent in film and watered down within television during the aughts, the area Mickey Mouse s character became most interesting lies in the realm of video games. While he has appeared in them since the early eighties, it wasnt until the release of the 2001 Square Enix game Kingdom Hearts that the character began to be acknowledge as a true video game icon. The Kingdom Hearts series is a labyrinthine combination of Disney characters mixed with the Final Fantasy video game franchise.The game takes place in a universe that consists of numerous worlds, typically based off a Disney film or a set of Disney/Final Fantasy characters. A large portion of the main storyline is put into motion when the formula of the prominent world known as Disney Castle disappears in an attempt to rid the universe of onset darkness. The ruler is, of course, none other than King Mickey Mouse.Throughout much of the first game Mickey himself is rarely seen, but his trademark mouse ears icon is displayed frequently as the symbol of Disney Castle. The characters talk astir(predicate) how great and p owerful the King is, but he only makes one actual appearance at the very end. At the time Disney wasnt quite sure how the game would turn out, and as such was weary of having him be a main character, so he was allowed to appear in one mise en sceneonly. Due to the games overwhelming success the character became more significant its numerous sequels and spin-off titles, especially in the 2006 game Kingdom Hearts II. Its in this title that the character attempts to recruit himself a true video game hero, displayed as powerful and valiant. He defeats enemies in a exclusive blow, strikes fear into bosses eyes, and is all around a truly strong threat. Yet Mickeys personality remains happy and upbeat as ever. Squire Enix was able to use his goody two-shoes personality to put a new twist on the character.18Mickeys regular clothes in the Kingdom Hearts universe is a play off his traditional clothing, keeping with the basics of white gloves, redshirt, and chicken boots. They then added e xtra details such as the straps on his shoes, tinges of silver and black, along with large zippers to try and give a slightly more complex, mature look. Though a lot of the time spent with Mickey Mouse occurs when hes dressed in all black, wearing a cloaked hood that is the trademark of a mysterious organization within the game. This is how the character looks when fully reveled for the first time in Kingdom Hearts II, being an effort to make the character look cooler and more stylish then hes typically portrayed. The game establishes right away that while he may still be Mickey Mouse, this isnt the same guy that teaches math on television. This rendering isnt quite a radical overhaul, but rather a step in the right direction to bring the character back to his hero, adventurer roots.19The radical overhaul in Mickeys character would actually occur four years later in the 2010 release of the video game Epic Mickey Disneys first big attempt in years to completely create and redesign the character for a new, contemporary generation. With this the company itself has recognized that the character has become out of touch with current audiences, so what better way to began a characters modernization than by making the reintroduction first occur in the newest medium of storytelling, videogames. Epic Mickey is a much darker take on the character that has more in line with the mouse of old than the currently familiar suburban incarnation.20The story involves Mickey breaking into a wizards workshop, making a mess of winder on the model of a magical land the wizard created. He accidentally spills paint sheer allover the world when trying to clean his mess up, and runs away before the wizard can birth to catch him in the act. Years go by with Mickey being carefree, not thinking close to the trouble he created until the day a mysterious creature pulls Mickey back into the workshop and drags him into the model world. The world is now known as The Wasteland and is where cartoon characters disappear to when forgotten by society.While Mickey Mouse appeared in new shorts and adventures over the years, those he left behind cease up populating this abandoned world. The leader of this land happens to be none other than the original forgotten character himself, Oswald the Lucky Rabbit, being his first official appearance since 1943. Mickey is forced to face the consequences of his selfish actions that caused the conclusion of their world, going around helping old faces that once were his friends, but due to forgotten time feel more like strangers.The gameplay itself revolves around the idea of using paint, which creates, or thinner, which destroys, to solve puzzles. This allows the gamer to directly decide whether Mickey is a hero or an anti-hero. Mickey never can go as far as to truly harm another character, but he can choose the easy way out or be selfish to better himself over others. This lets the game act as a bridge over between the old mischievo us Mickey Mouse and the righteous modern Mickey. The characters art design reflects this combination, as he is a mixture of both the original and the more current Mickey. The rest of the games artwork is distinctly dark and dreary, which represents the studios attempts to inform consumers Mickey isnt just for kids. He can be a mature character, caught up in a question of morality and the tribulations that come with fame and leaving friends behind.21Epic Mickey is a good start, but just one game isnt enough. Disney is going to have to be more aggressive if they hope to keep the character relevant as the new millenniums teen years soon kick in. The apprehension needs to be pulled of the character and he must be promoted as more than just a corporate mascot. The greatest step they could take would be to finally release a feature-length Mickey Mouse film. In the eighty plus years the mouse has been around he has never had his own uncut feature. Hes appeared in parts of movies, such as with Fantasia (1940), along with Fun and Fancy kick (1947), but never a whole film.The main fear has always been that if a Mickey movie came out and performed poorly it would reflect badly on the character, harming his image. But it appears the company is beginning to change their learning ability as news broke in March of 2011 that such a movie might happen, as long time Disney animator Burny Mattinson revealed hes been working on a pitch for a film staring Mickey Mouse, along with his friends Donald and Goofy22. Such a film is exactly the major kick-start the character needs. It would allow a true fresh start to the largest audience possible.Mickey Mouse has evolved and changed over the years, but the publics love for the character seems to never go away. One cant be certain what exactly Mickeys future holds, especially as the characters copyright finally expires in 2023, meaning unless Disney finds a way of interfering then the cartoon icon will enter public domain. Disney is d esperate to make the character relatable to all ages again, and it seems the key is to reevaluate what once made him so great. Mickey Mouse is the most versatile cartoon character in history and theres a reason he has lasted so long. Mickey has survived eighty plus years remain in public consciousness, and it isnt hard to believe that with a few adjustments hell survive another eighty more.

Personal statement UCAs Example | Topics and Well Written Essays - 750 words

UCAs - Personal Statement simulationConsequently, the experience has heightened my aspiration to study IT, which I confide leave give me an opportunity to serve, as closely as enable me to put into practice the skills I have been able to gain through time. My desire to study IT emanates from the successful installation of a software program connecting all the departments in my fathers business. With this successful installation, in that location was a significant change in the operations of the business, as well as a noteworthy business growth. The installation reduced the volume of paperwork that the members of staff were using by approximately 50-60%, which improved the operational efficiency. Apart from ensuring that the business operations were efficient, the installation ensured business growth of up to 30%. This success created a drive in me to study this operate so that I could gain additional knowledge in the IT field. In preparation for my university studies, I am c urrently taking a foundation year course in Cambridge, where I will be studying IT and programming. Part of this course is pure mathematics. I believe that this course will be beneficial as a foundation for pursuing the computer wisdom course. During my years I school, I was an exceptional performer in academics, scoring 120 points out of cxxv in the Uniform National Examinations. This has given me the opportunity to study in any university in the country, Kazakhstan, allow of charge. However, I chose to study in the UK because its best chance to get good experience, quality education and it likewise prestige. I will also be able to make friends and maybe share experience as I advance in my charge. Apart from participate in the school projects, during the weekends and vacation periods, I usually assist in my fathers company. By voluntarily giving assistance to the staff members, I utilize some of the skills that I get from the school projects, which include logical thinking, p roblem solving and informatics, as well as knowledge from the studies. Service provision is an essential skill that someone might be required to develop, as a way of making sure that he or she perform his or her duties efficiently and effectively. Apart from developing these skills, it is necessary to have the required qualifications that will enable me to perform concord to the formational and professional requirements. My experience as a programmer in my fathers organization developed in me a desire to be a better person in servicing people. More importantly, the experience developed in me the desire to try to succeed so that I would bid services to the government, which will be beneficial in improving the governmental efficiency. I believe that these canonic experiences were vital to prove my dedication and determination in accomplishing some of the things that I desire to achieve in my career. I am enthusiastic about the coming year and I look forward to participating in an activity that will be fulfilling and will lead me into the right path to develop my career further. I can only achieve such a fete through obtaining appropriate training, which will enable me to harness the knowledge for developing and implementing the systems. Getting the opportunity to study and hone my skills will be a huge step in the attainment of my desire to improve on organizational efficiencies. Bibliography Bouwman, H. (2005). teaching and communication technology in organizations adoption, implementation,